
Aloha Supreme! Micropatronage and Karma
Christine Bougie’s new CD ‘Aloha Supreme’ arrived with me this morning, and I’m like a kid a Christmas waiting to play the Canadian jazz-guitarist’s second solo independent release.
Christine Bougie’s new CD ‘Aloha Supreme’ arrived with me this morning, and I’m like a kid a Christmas waiting to play the Canadian jazz-guitarist’s second solo independent release.
I grew up in a family without any strong ties to religion, which I now see as something of a privilege – although at the time I used to envy those of my friends on their Sunday school adventures. Neither were my family overtly humanist agnostic or atheist. I just can’t remember any sort of conversations about faith or religion at all in our household.
This weekend, I’ve been attending a two-day workshop in Indonesian Gamelan in Glasgow, lead by the great John Pawson of the South Bank Gamelan Players. The weekend got me thinking about the history of my connection with Gamelan music, and inspired me to write this blog entry.
In December 2008, I had the great privilege of interviewing the great folk singer/songwriter Vashti Bunyan for Northings Arts Journal. Amongst other things, we discussed her journey to the Highlands and Islands four decades ago.
Here’s an interview I did with the Irish singer-songwriter Andy White, way back in October 2006…